Impressionism , which started in the 1860 s in france , is a major art movement in the history of western art . the artists captured the impression of the changing world with experiment of new techniques and subjects executed in vivid colours and brushworks 法国印象派艺术源于19世纪60年代,当时一群年轻艺术家以崭新的艺术手法、表现当时的大千世界及他们对事物的瞬间感觉。
Under his father ' s influence , chung hai ' s wash drawing and landscape painting with confident painting style and steady brushwork that among the mixed water and ink , he continuously seeks the flowing feeling of change to have the dancing aroma in the work , even with the angle of active feeling 水墨山水画在其父之影响下,下笔大胆、用笔沉? ,水墨相溶之中,不断追求流动变化之感,使作品中含有舞蹈的韵味,更带有动感的视角。
If the subjects true characters are retained through the brushwork of the artist , each of these human figures , from the clown to the brothers , is actually a medium for portraying the fun , humor and irrationality of the astral world - in short , the humor and contradiction in a human being s simultaneous existence and non - existence in the mundane world , along with life s emptiness 第二幅叫清水池,里面有三个人,郭师兄是色盲陈师兄是驼背杨师兄个子短小。从小丑到这些师兄在画家的笔下,表达了作者的幽默和世间的相对层面空与有的幻相。
Before begin to draw the paint formally , i tried to draw the concept sketch . throughout the concept sketch , i confirmed the layout and inter - relationship . aiming at the needed atmosphere , i drawn farther . i used some light brushwork when i portray the character in the paint , and the other part , i just outlined them roughly , and made them fade - out to the dark , and coming into the dreamland 在正式作画前,我先尝试性的绘制了概念稿.通过概念稿,明确空间布局及相互关系.针对所需表达的氛围,深入作画.画面角色刻画,留有较多的亮色笔触,其他部分,只作大致的勾勒,并逐渐隐入黑色,渐入幻境
Beginning from cognizing the relation of rock painting brushwork and chinese painting , this paper analyzes the feasibility of combining of rock painting brushwork and the spirit of freehand brushwork and brings forward the conception of " freehand brushwork of rock painting " which integrates the two essence of freehand brushwork spirit and skill recombination 文章从认识岩彩画与中国绘画的承继关系入手,分析了岩彩画和写意精神结合的可能性并提出融会写意精神和技法重组这两大要素的“岩彩写意画”概念。