melakarta造句

• Koteeswara Ayyar is known for his compositions in the 72 Melakarta ragas.
• This scale is associated with the 39th melakarta Jhalavarali.
• Contemporary Indian music schools follow notations and classifications ( see melakarta and thaat ).
• It is the Suddha madhyamam equivalent of Shubhapantuvarali, which is the 45th melakarta.
• Melakarta is a South Indian Classical method of organizing Raagas based on their unique heptatonic scales.
• Such a gap does not occur in any other " melakarta " by definition.
• Hence the raga's melakarta number is 65 ( 56 reversed ) . 65 is greater than 36.
• During the time of VidhyaraNaya, there were 15 meLakarta raagas, which became 22 during the time of Venkatamakhin.
• Seven-pitch melakarta are considered subsets of a twelve-pitch scale roughly analogous to the Western chromatic scale.
• The postulated number of melakarta derives from arithmetical calculation and not from Carnatic practice, which uses far fewer scale forms.
• The 72 " melakarta " ragas can be divided into two parts : suddha Madhyamam and prati Madhyamam ragas.
• By the time Venkatamakhin formulated the melakarta ( " mela " ) system, the grama system was no longer in use.
• Prashanth is a prolific composer who has composed 90 varnas that include the 72 of them in each of the melakarta ragas.
• The thaat structure corresponds to the melakarta system of raga arrangement in Carnatic music, the south Indian variety of Indian classical music.
• People associate itwith the Melakarta Chakravam, Melakart Mararanjani, Melakarta Charukesi and even Melakarta Sarasangi, but no one is absolutely certain.
• People associate itwith the Melakarta Chakravam, Melakart Mararanjani, Melakarta Charukesi and even Melakarta Sarasangi, but no one is absolutely certain.
• People associate itwith the Melakarta Chakravam, Melakart Mararanjani, Melakarta Charukesi and even Melakarta Sarasangi, but no one is absolutely certain.
• A Melakarta r
  
  ga is one which has all seven notes in both the
  
  rM
  hanam ( ascending scale ) and avarM
  hanam ( descending scale ).
• There is a system known as the " katapayadi sankhya " to determine the names of " melakarta raga " s.
• Janaka r
  
  gas are grouped together using a scheme called " Katapayadi sutra " and are organised as " Melakarta " r
  
  gas.